Simon Blackburn Reviews Stanley Fish's "How To Write A Sentence" | The New Republic: It is wrong to think that the sentence is a mere slave, whose function is to bear content, which, while being the really important thing, is also something that could equally have been borne by another. Change the shape and ring, and you change everything. The balance, the alliterations, the variation, the melody, the lights glimmering in the words, can work together to transform even an ugly thought into something iridescent, as when Eli Wallach in The Magnificent Seven expressed his character’s indifference to the suffering he brings the peasants in one perfect, albeit perfectly brutal, sentence: “If God didn’t want them sheared, he would not have made them sheep.” As Fish says in his analysis of this example, here the “air of finality and certainty” is clinched by “the parallelism of clauses that also feature the patterned repetition of consonants and vowels” and then, of course the inevitability of that last dismissive word. If the devil has the best tunes, sometimes the bandits have the best sentences.